nobodys story

He lived on the bank of a mighty river, broad and deep, which was always silently rolling on to a vast undiscovered ocean. It had rolled on, ever since the world began. It had changed its course sometimes, and turned into new channels, leaving its old ways dry and barren; but it had ever been upon the flow, and ever was to flow until Time should be no more. Against its strong, unfathomable stream, nothing made head. No living creature, no flower, no leaf, no particle of animate or inanimate existence, ever strayed back from the undiscovered ocean. The tide of the river set resistlessly towards it; and the tide never stopped, any more than the earth stops in its circling round the sun.

He lived in a busy place, and he worked very hard to live. He had no hope of ever being rich enough to live a month without hard work, but he was quite content, Godknows, to labour with a cheerful will. He was one of an immense family, all of whose sons and daughters gained their daily bread by daily work, prolonged from their rising up betimes until their lying down at night. Beyond this destiny he had no prospect, and he sought none.

There was over-much drumming, trumpeting, and speech-making, in the neighbourhood where he dwelt; but he had nothing to do with that. Such clash and uproar came from the Bigwig family, at the unaccountable proceedings of which race, he marvelled much. They set up the strangest statues, in iron, marble, bronze, and brass, before his door; and darkened his house with the legs and tails of uncouth images of horses. He wondered what it all meant, smiled in a rough good-humoured way he had, and kept at his hard work.

The Bigwig family (composed of all the stateliest people thereabouts, and all the noisiest) had undertaken to save him the trouble of thinking for himself, and to manage him and his affairs. "Why truly," said he, "I have little time upon my hands; and if you will be so good as to take care of me, in return for the money I pay over"—for the Bigwig family were not above his money—"I shall be relieved and much obliged, considering that you know best." Hence the drumming, trumpeting, and speech-making, and the ugly images of horses which he was expected to fall down and worship.

"I don't understand all this," said he, rubbing his furrowed brow confusedly. "But it has a meaning, maybe, if I could find it out."

"It means," returned the Bigwig family, suspecting something of what he said, "honour and glory in the highest, to the highest merit."

"Oh!" said he. And he was glad to hear that.

But, when he looked among the images in iron, marble, bronze, and brass, he failed to find a rather meritorious countryman of his, once the son of a Warwickshire wool-dealer, or any single countryman whomsoever of that kind. He could find none of the men whose knowledge had rescued him and his children from terrific and disfiguring disease, whose boldness had raised his forefathers from the condition of serfs, whose wise fancy had opened a new and high existence to the humblest, whose skill had filled the working man's world with accumulated wonders. Whereas, he did find others whom he knew no good of, and even others whom he knew much ill of.

"Humph!" said he. "I don't quite understand it."

So, he went home, and sat down by his fireside to get it out of his mind.

Now, his fireside was a bare one, all hemmed in by blackened streets; but it was a precious place to him. The hands of his wife were hardened with toil, and she was old before her time; but she was dear to him. His children, stunted in their growth, bore traces of unwholesome nurture; but they had beauty in his sight. Above all other things, it was an earnest desire of this man's soul that his children should be taught. "If I am sometimes misled," said he, "for want of knowledge, at least let them know better, and avoid my mistakes. If it is hard to me to reap the harvest of pleasure and instruction that is stored in books, let it be easier to them."

But, the Bigwig family broke out into violent family quarrels concerning what it was lawful to teach to this man's children. Some of the family insisted on such a thing being primary and indispensable above all other things; and others of the family insisted on such another thing being primary and indispensable above all other things; and the Bigwig family, rent into factions, wrote pamphlets, held convocations, delivered charges, orations, and all varieties of discourses; impounded one another in courts Lay and courts Ecclesiastical; threw dirt, exchanged pummelings, and fell together by the ears in unintelligible animosity. Meanwhile, this man, in his short evening snatches at his fireside, saw the demon Ignorance arise there, and take his children to itself. He saw his daughter perverted into a heavy, slatternly drudge; he saw his son go moping down the ways of low sensuality, to brutality and crime; he saw the dawning light of intelligence in the eyes of his babies so changing into cunning and suspicion, that he could have rather wished them idiots.

"I don't understand this any the better," said he; "but I think it cannot be right. Nay, by the clouded Heaven above me, I protest against this as my wrong!"

Becoming peaceable again (for his passion was usually short-lived, and his nature kind), he looked about him on his Sundays and holidays, and he saw how much monotony and weariness there was, and thence how drunkenness arose with all its train of ruin. Then he appealed to the Bigwig family, and said, "We are a labouring people, and I have a glimmering suspicion in me that labouring people of whatever condition were made—by a higher intelligence than yours, as I poorly understand it—to be in need of mental refreshment and recreation. See what we fall into, when we rest without it. Come! Amuse me harmlessly, show me something, give me an escape!"

But, here the Bigwig family fell into a state of uproar absolutely deafening. When some few voices were faintly heard, proposing to show him the wonders of the world, the greatness of creation, the mighty changes of time, the workings of nature and the beauties of art—to show him these things, that is to say, at any period of his life when he could look upon them—there arose among the Bigwigs such roaring and raving, such pulpiting and petitioning, such maundering and memorialising, such name-calling and dirt-throwing, such a shrill wind of parliamentary questioning and feeble replying- -where "I dare not" waited on "I would"—that the poor fellow stood aghast, staring wildly around.

"Have I provoked all this," said he, with his hands to his affrighted ears, "by what was meant to be an innocent request, plainly arising out of my familiar experience, and the common knowledge of all men who choose to open their eyes? I don't understand, and I am not understood. What is to come of such a state of things!"

He was bending over his work, often asking himself the question, when the news began to spread that a pestilence had appeared among the labourers, and was slaying them by thousands. Going forth to look about him, he soon found this to be true. The dying and the dead were mingled in the close and tainted houses among which his life was passed. New poison was distilled into the always murky, always sickening air. The robust and the weak, old age and infancy, the father and the mother, all were stricken down alike.

What means of flight had he? He remained there, where he was, and saw those who were dearest to him die. A kind preacher came to him, and would have said some prayers to soften his heart in his gloom, but he replied:

"O what avails it, missionary, to come to me, a man condemned to residence in this foetid place, where every sense bestowed upon me for my delight becomes a torment, and where every minute of my numbered days is new mire added to the heap under which I lie oppressed! But, give me my first glimpse of Heaven, through a little of its light and air; give me pure water; help me to be clean; lighten this heavy atmosphere and heavy life, in which our spirits sink, and we become the indifferent and callous creatures you too often see us; gently and kindly take the bodies of those who die among us, out of the small room where we grow to be so familiar with the awful change that even its sanctity is lost to us; and, Teacher, then I will hear—none know better than you, how willingly- -of Him whose thoughts were so much with the poor, and who had compassion for all human sorrow!"

He was at work again, solitary and sad, when his Master came and stood near to him dressed in black. He, also, had suffered heavily. His young wife, his beautiful and good young wife, was dead; so, too, his only child.

"Master, 'tis hard to bear—I know it—but be comforted. I would give you comfort, if I could."

The Master thanked him from his heart, but, said he, "O you labouring men! The calamity began among you. If you had but lived more healthily and decently, I should not be the widowed and bereft mourner that I am this day."

"Master," returned the other, shaking his head, "I have begun to understand a little that most calamities will come from us, as this one did, and that none will stop at our poor doors, until we are united with that great squabbling family yonder, to do the things that are right. We cannot live healthily and decently, unless they who undertook to manage us provide the means. We cannot be instructed unless they will teach us; we cannot be rationally amused, unless they will amuse us; we cannot but have some false gods of our own, while they set up so many of theirs in all the public places. The evil consequences of imperfect instruction, the evil consequences of pernicious neglect, the evil consequences of unnatural restraint and the denial of humanising enjoyments, will all come from us, and none of them will stop with us. They will spread far and wide. They always do; they always have done—just like the pestilence. I understand so much, I think, at last."

But the Master said again, "O you labouring men! How seldom do we ever hear of you, except in connection with some trouble!"

"Master," he replied, "I am Nobody, and little likely to be heard of (nor yet much wanted to be heard of, perhaps), except when there is some trouble. But it never begins with me, and it never can end with me. As sure as Death, it comes down to me, and it goes up from me."

There was so much reason in what he said, that the Bigwig family, getting wind of it, and being horribly frightened by the late desolation, resolved to unite with him to do the things that were right—at all events, so far as the said things were associated with the direct prevention, humanly speaking, of another pestilence. But, as their fear wore off, which it soon began to do, they resumed their falling out among themselves, and did nothing. Consequently the scourge appeared again—low down as before—and spread avengingly upward as before, and carried off vast numbers of the brawlers. But not a man among them ever admitted, if in the least degree he ever perceived, that he had anything to do with it.

So Nobody lived and died in the old, old, old way; and this, in the main, is the whole of Nobody's story.

Had he no name, you ask? Perhaps it was Legion. It matters little what his name was. Let us call him Legion.

If you were ever in the Belgian villages near the field of Waterloo, you will have seen, in some quiet little church, a monument erected by faithful companions in arms to the memory of Colonel A, Major B, Captains C, D and E, Lieutenants F and G, Ensigns H, I and J, seven non-commissioned officers, and one hundred and thirty rank and file, who fell in the discharge of their duty on the memorable day. The story of Nobody is the story of the rank and file of the earth. They bear their share of the battle; they have their part in the victory; they fall; they leave no name but in the mass. The march of the proudest of us, leads to the dusty way by which they go. O! Let us think of them this year at the Christmas fire, and not forget them when it is burnt out.

The Duplicity of Hargraves

When Major Pendleton Talbot, of Mobile, sir, and his daughter, Miss Lydia Talbot, came to Washington to reside, they selected for a boarding place a house that stood fifty yards back from one of the quietest avenues. It was an old-fashioned brick building, with a portico upheld by tall white pillars. The yard was shaded by stately locusts and elms, and a catalpa tree in season rained its pink and white blossoms upon the grass. Rows of high box bushes lined the fence and walks. It was the Southern style and aspect of the place that pleased the eyes of the Talbots.

In this pleasant private boarding house they engaged rooms, including a study for Major Talbot, who was adding the finishing chapters to his book, Anecdotes and Reminiscences of the Alabama Army, Bench, and Bar.

Major Talbot was of the old, old South. The present day had little interest or excellence in his eyes. His mind lived in that period before the Civil War when the Talbots owned thousands of acres of fine cotton land and the slaves to till them; when the family mansion was the scene of princely hospitality, and drew its guests from the aristocracy of the South. Out of that period he had brought all its old pride and scruples of honor, an antiquated and punctilious politeness, and (you would think) its wardrobe.

Such clothes were surely never made within fifty years. The Major was tall, but whenever he made that wonderful, archaic genuflexion he called a bow, the corners of his frock coat swept the floor. That garment was a surprise even to Washington, which has long ago ceased to shy at the frocks and broad-brimmed hats of Southern Congressmen. One of the boarders christened it a "Father Hubbard," and it certainly was high in the waist and full in the skirt.

But the Major, with all his queer clothes, his immense area of plaited, raveling shirt bosom, and the little black string tie with the bow always slipping on one side, both was smiled at and liked in Mrs. Vardeman's select boarding house. Some of the young department clerks would often "string him," as they called it, getting him started upon the subject dearest to him—the traditions and history of his beloved Southland. During his talks he would quote freely from the Anecdotes and Reminiscences. But they were very careful not to let him see their designs, for in spite of his sixty-eight years he could make the boldest of them uncomfortable under the steady regard of his piercing gray eyes.

Miss Lydia was a plump, little old maid of thirty-five, with smoothly drawn, tightly twisted hair that made her look still older. Old-fashioned, too, she was; but antebellum glory did not radiate from her as it did from the Major. She possessed a thrifty common sense, and it was she who handled the finances of the family, and met all comers when there were bills to pay. The Major regarded board bills and wash bills as contemptible nuisances. They kept coming in so persistently and so often. Why, the Major wanted to know, could they not be filed and paid in a lump sum at some convenient period—say when the Anecdotes and Reminiscences had been published and paid for? Miss Lydia would calmly go on with her sewing and say, "We'll pay as we go as long as the money lasts, and then perhaps they'll have to lump it."

Most of Mrs. Vardeman's boarders were away during the day, being nearly all department clerks and business men; but there was one of them who was about the house a great deal from morning to night. This was a young man named Henry Hopkins Hargraves—every one in the house addressed him by his full name—who was engaged at one of the popular vaudeville theaters. Vaudeville has risen to such a respectable plane in the last few years, and Mr. Hargraves was such a modest and well-mannered person, that Mrs. Vardeman could find no objection to enrolling him upon her list of boarders.

At the theater Hargraves was known as an all-round dialect comedian, having a large repertoire of German, Irish, Swede, and black-face specialties. But Mr. Hargraves was ambitious, and often spoke of his great desire to succeed in legitimate comedy.

This young man appeared to conceive a strong fancy for Major Talbot. Whenever that gentleman would begin his Southern reminiscences, or repeat some of the liveliest of the anecdotes, Hargraves could always be found, the most attentive among his listeners.

For a time the Major showed an inclination to discourage the advances of the "play actor," as he privately termed him; but soon the young man's agreeable manner and indubitable appreciation of the old gentleman's stories completely won him over.

It was not long before the two were like old chums. The Major set apart each afternoon to read to him the manuscript of his book. During the anecdotes Hargraves never failed to laugh at exactly the right point. The Major was moved to declare to Miss Lydia one day that young Hargraves possessed remarkable perception and a gratifying respect for the old régime. And when it came to talking of those old days—if Major Talbot liked to talk, Mr. Hargraves was entranced to listen.

Like almost all old people who talk of the past, the Major loved to linger over details. In describing the splendid, almost royal, days of the old planters, he would hesitate until he had recalled the name of the negro who held his horse, or the exact date of certain minor happenings, or the number of bales of cotton raised in such a year; but Hargraves never grew impatient or lost interest. On the contrary, he would advance questions on a variety of subjects connected with the life of that time, and he never failed to extract ready replies.

The fox hunts, the 'possum suppers, the hoe-downs and jubilees in the negro quarters, the banquets in the plantation-house hall, when invitations went for fifty miles around; the occasional feuds with the neighboring gentry; the Major's duel with Rathbone Culbertson about Kitty Chalmers, who afterward married a Thwaite of South Carolina; and private yacht races for fabulous sums on Mobile Bay; the quaint beliefs, improvident habits, and loyal virtues of the old slaves—all these were subjects that held both the Major and Hargraves absorbed for hours at a time.

Sometimes, at night, when the young man would be coming upstairs to his room after his turn at the theater was over, the Major would appear at the door of his study and beckon archly to him. Going in, Hargraves would find a little table set with a decanter, sugar bowl, fruit, and a big bunch of fresh green mint.

"It occurred to me," the Major would begin—he was always ceremonious—"that perhaps you might have found your duties at the—at your place of occupation—sufficiently arduous to enable you, Mr. Hargraves, to appreciate what the poet might well have had in his mind when he wrote, 'tired Nature's sweet restorer'—one of our Southern juleps."

It was a fascination to Hargraves to watch him make it. He took rank among artists when he began, and he never varied the process. With what delicacy he bruised the mint; with what exquisite nicety he estimated the ingredients; with what solicitous care he capped the compound with the scarlet fruit glowing against the dark green fringe! And then the hospitality and grace with which he offered it, after the selected oat straws had been plunged into its tinkling depths!

After about four months in Washington, Miss Lydia discovered one morning that they were almost without money. The Anecdotes and Reminiscences was completed, but publishers had not jumped at the collected gems of Alabama sense and wit. The rental of a small house which they still owned in Mobile was two months in arrears. Their board money for the month would be due in three days. Miss Lydia called her father to a consultation.

"No money?" said he with a surprised look. "It is quite annoying to be called on so frequently for these petty sums, Really, I—"

The Major searched his pockets. He found only a two-dollar bill, which he returned to his vest pocket.

"I must attend to this at once, Lydia," he said. "Kindly get me my umbrella and I will go downtown immediately. The congressman from our district, General Fulghum, assured me some days ago that he would use his influence to get my book published at an early date. I will go to his hotel at once and see what arrangement has been made."

With a sad little smile Miss Lydia watched him button his "Father Hubbard" and depart, pausing at the door, as he always did, to bow profoundly.

That evening, at dark, he returned. It seemed that Congressman Fulghum had seen the publisher who had the Major's manuscript for reading. That person had said that if the anecdotes, etc., were carefully pruned down about one-half, in order to eliminate the sectional and class prejudice with which the book was dyed from end to end, he might consider its publication.

The Major was in a white heat of anger, but regained his equanimity, according to his code of manners, as soon as he was in Miss Lydia's presence.

"We must have money," said Miss Lydia, with a little wrinkle above her nose. "Give me the two dollars, and I will telegraph to Uncle Ralph for some to-night."

The Major drew a small envelope from his upper vest pocket and tossed it on the table.

"Perhaps it was injudicious," he said mildly, "but the sum was so merely nominal that I bought tickets to the theater to-night. It's a new war drama, Lydia. I thought you would be pleased to witness its first production in Washington. I am told that the South has very fair treatment in the play. I confess I should like to see the performance myself."

Miss Lydia threw up her hands in silent despair.

Still, as the tickets were bought, they might as well be used. So that evening, as they sat in the theater listening to the lively overture, even Miss Lydia was minded to relegate their troubles, for the hour, to second place. The Major, in spotless linen, with his extraordinary coat showing only where it was closely buttoned, and his white hair smoothly roached, looked really fine and distinguished. The curtain went up on the first act of A Magnolia Flower, revealing a typical Southern plantation scene. Major Talbot betrayed some interest.

"Oh, see!" exclaimed Miss Lydia, nudging his arm, and pointing to her program.

The Major put on his glasses and read the line in the cast of characters that her fingers indicated.

Col. Webster Calhoun …. Mr. Hopkins Hargraves.

"It's our Mr. Hargraves," said Miss Lydia. "It must be his first appearance in what he calls 'the legitimate.' I'm so glad for him."

Not until the second act did Col. Webster Calhoun appear upon the stage. When he made his entry Major Talbot gave an audible sniff, glared at him, and seemed to freeze solid. Miss Lydia uttered a little, ambiguous squeak and crumpled her program in her hand. For Colonel Calhoun was made up as nearly resembling Major Talbot as one pea does another. The long, thin white hair, curly at the ends, the aristocratic beak of a nose, the crumpled, wide, raveling shirt front, the string tie, with the bow nearly under one ear, were almost exactly duplicated. And then, to clinch the imitation, he wore the twin to the Major's supposed to be unparalleled coat. High-collared, baggy, empire-waisted, ample-skirted, hanging a foot lower in front than behind, the garment could have been designed from no other pattern. From then on, the Major and Miss Lydia sat bewitched, and saw the counterfeit presentment of a haughty Talbot "dragged," as the Major afterward expressed it, "through the slanderous mire of a corrupt stage."

Mr. Hargraves had used his opportunities well. He had caught the Major's little idiosyncrasies of speech, accent, and intonation and his pompous courtliness to perfection—exaggerating all to the purpose of the stage. When he performed that marvelous bow that the Major fondly imagined to be the pink of all salutations, the audience sent forth a sudden round of hearty applause.

Miss Lydia sat immovable, not daring to glance toward her father. Sometimes her hand next to him would be laid against her cheek, as if to conceal the smile which, in spite of her disapproval, she could not entirely suppress.

The culmination of Hargraves audacious imitation took place in the third act. The scene is where Colonel Calhoun entertains a few of the neighboring planters in his "den."

Standing at a table in the center of the stage, with his friends grouped about him, he delivers that inimitable, rambling character monologue so famous in A Magnolia Flower, at the same time that he deftly makes juleps for the party.

Major Talbot, sitting quietly, but white with indignation, heard his best stories retold, his pet theories and hobbies advanced and expanded, and the dream of the Anecdotes and Reminiscences served, exaggerated and garbled. His favorite narrative—that of his duel with Rathbone Culbertson—was not omitted, and it was delivered with more fire, egotism, and gusto than the Major himself put into it.

The monologue concluded with a quaint, delicious, witty little lecture on the art of concocting a julep, illustrated by the act. Here Major Talbot's delicate but showy science was reproduced to a hair's breadth—from his dainty handling of the fragrant weed—"the one-thousandth part of a grain too much pressure, gentlemen, and you extract the bitterness, instead of the aroma, of this heaven-bestowed plant"—to his solicitous selection of the oaten straws.

At the close of the scene the audience raised a tumultuous roar of appreciation. The portrayal of the type was so exact, so sure and thorough, that the leading characters in the play were forgotten. After repeated calls, Hargraves came before the curtain and bowed, his rather boyish face bright and flushed with the knowledge of success.

At last Miss Lydia turned and looked at the Major. His thin nostrils were working like the gills of a fish. He laid both shaking hands upon the arms of his chair to rise.

"We will go, Lydia," he said chokingly. "This is an abominable—desecration."

Before he could rise, she pulled him back into his seat.

"We will stay it out," she declared. "Do you want to advertise the copy by exhibiting the original coat?" So they remained to the end.

Hargraves's success must have kept him up late that night, for neither at the breakfast nor at the dinner table did he appear.

About three in the afternoon he tapped at the door of Major Talbot's study. The Major opened it, and Hargraves walked in with his hands full of the morning papers—too full of his triumph to notice anything unusual in the Major's demeanor.

"I put it all over 'em last night, Major," he began exultantly. "I had my inning, and, I think, scored. Here's what The Post says:

"'His conception and portrayal of the old-time Southern colonel, with his absurd grandiloquence, his eccentric garb, his quaint idioms and phrases, his motheaten pride of family, and his really kind heart, fastidious sense of honor, and lovable simplicity, is the best delineation of a character role on the boards to-day. The coat worn by Colonel Calhoun is itself nothing less than an evolution of genius. Mr. Hargraves has captured his public.'

"How does that sound, Major, for a first-nighter?"

"I had the honor"—the Major's voice sounded ominously frigid—"of witnessing your very remarkable performance, sir, last night."

Hargraves looked disconcerted.

"You were there? I didn't know you ever—I didn't know you cared for the theater. Oh, I say, Major Talbot," he exclaimed frankly, "don't you be offended. I admit I did get a lot of pointers from you that helped out wonderfully in the part. But it's a type, you know—not individual. The way the audience caught on shows that. Half the patrons of that theater are Southerners. They recognized it."

"Mr. Hargraves," said the Major, who had remained standing, "you have put upon me an unpardonable insult. You have burlesqued my person, grossly betrayed my confidence, and misused my hospitality. If I thought you possessed the faintest conception of what is the sign manual of a gentleman, or what is due one, I would call you out, sir, old as I am. I will ask you to leave the room, sir."

The actor appeared to be slightly bewildered, and seemed hardly to take in the full meaning of the old gentleman's words.

"I am truly sorry you took offense," he said regretfully. "Up here we don't look at things just as you people do. I know men who would buy out half the house to have their personality put on the stage so the public would recognize it."

"They are not from Alabama, sir," said the Major haughtily.

"Perhaps not. I have a pretty good memory, Major; let me quote a few lines from your book. In response to a toast at a banquet given in—Milledgeville, I believe—you uttered, and intend to have printed, these words:

"'The Northern man is utterly without sentiment or warmth except in so far as the feelings may be turned to his own commercial profit. He will suffer without resentment any imputation cast upon the honor of himself or his loved ones that does not bear with it the consequence of pecuniary loss. In his charity, he gives with a liberal hand; but it must be heralded with the trumpet and chronicled in brass.'

"Do you think that picture is fairer than the one you saw of Colonel

Calhoun last night?"

"The description," said the Major, frowning, "is—not without grounds.

Some exag—latitude must be allowed in public speaking."

"And in public acting," replied Hargraves.

"That is not the point," persisted the Major, unrelenting. "It was a personal caricature. I positively decline to overlook it, sir."

"Major Talbot," said Hargraves, with a winning smile, "I wish you would understand me. I want you to know that I never dreamed of insulting you. In my profession, all life belongs to me. I take what I want, and what I can, and return it over the footlights. Now, if you will, let's let it go at that. I came in to see you about something else. We've been pretty good friends for some months, and I'm going to take the risk of offending you again. I know you are hard up for money—never mind how I found out, a boarding house is no place to keep such matters secret—and I want you to let me help you out of the pinch. I've been there often enough myself. I've been getting a fair salary all the season, and I've saved some money. You're welcome to a couple hundred—or even more—until you get——"

"Stop!" commanded the Major, with his arm outstretched. "It seems that my book didn't lie, after all. You think your money salve will heal all the hurts of honor. Under no circumstances would I accept a loan from a casual acquaintance; and as to you, sir, I would starve before I would consider your insulting offer of a financial adjustment of the circumstances we have discussed. I beg to repeat my request relative to your quitting the apartment."

Hargraves took his departure without another word. He also left the house the same day, moving, as Mrs. Vardeman explained at the supper table, nearer the vicinity of the downtown theater, where A Magnolia Flower was booked for a week's run.

Critical was the situation with Major Talbot and Miss Lydia. There was no one in Washington to whom the Major's scruples allowed him to apply for a loan. Miss Lydia wrote a letter to Uncle Ralph, but it was doubtful whether that relative's constricted affairs would permit him to furnish help. The Major was forced to make an apologetic address to Mrs. Vardeman regarding the delayed payment for board, referring to "delinquent rentals" and "delayed remittances" in a rather confused strain.

Deliverance came from an entirely unexpected source.

Late one afternoon the door maid came up and announced an old colored man who wanted to see Major Talbot. The Major asked that he be sent up to his study. Soon an old darkey appeared in the doorway, with his hat in hand, bowing, and scraping with one clumsy foot. He was quite decently dressed in a baggy suit of black. His big, coarse shoes shone with a metallic luster suggestive of stove polish. His bushy wool was gray—almost white. After middle life, it is difficult to estimate the age of a negro. This one might have seen as many years as had Major Talbot.

"I be bound you don't know me, Mars' Pendleton," were his first words.

The Major rose and came forward at the old, familiar style of address. It was one of the old plantation darkeys without a doubt; but they had been widely scattered, and he could not recall the voice or face.

"I don't believe I do," he said kindly—"unless you will assist my memory."

"Don't you 'member Cindy's Mose, Mars' Pendleton, what 'migrated 'mediately after de war?"

"Wait a moment," said the Major, rubbing his forehead with the tips of his fingers. He loved to recall everything connected with those beloved days. "Cindy's Mose," he reflected. "You worked among the horses—breaking the colts. Yes, I remember now. After the surrender, you took the name of—don't prompt me—Mitchell, and went to the West—to Nebraska."

"Yassir, yassir,"—the old man's face stretched with a delighted grin—"dat's him, dat's it. Newbraska. Dat's me—Mose Mitchell. Old Uncle Mose Mitchell, dey calls me now. Old mars', your pa, gimme a pah of dem mule colts when I lef' fur to staht me goin' with. You 'member dem colts, Mars' Pendleton?"

"I don't seem to recall the colts," said the Major. "You know. I was married the first year of the war and living at the old Follinsbee place. But sit down, sit down, Uncle Mose. I'm glad to see you. I hope you have prospered."

Uncle Mose took a chair and laid his hat carefully on the floor beside it.

"Yessir; of late I done mouty famous. When I first got to Newbraska, dey folks come all roun' me to see dem mule colts. Dey ain't see no mules like dem in Newbraska. I sold dem mules for three hundred dollars. Yessir—three hundred.

"Den I open a blacksmith shop, suh, and made some money and bought some lan'. Me and my old 'oman done raised up seb'm chillun, and all doin' well 'cept two of 'em what died. Fo' year ago a railroad come along and staht a town slam ag'inst my lan', and, suh, Mars' Pendleton, Uncle Mose am worth leb'm thousand dollars in money, property, and lan'."

"I'm glad to hear it," said the Major heartily. "Glad to hear it."

"And dat little baby of yo'n, Mars' Pendleton—one what you name Miss Lyddy—I be bound dat little tad done growed up tell nobody wouldn't know her."

The Major stepped to the door and called: "Lydie, dear, will you come?"

Miss Lydia, looking quite grown up and a little worried, came in from her room.

"Dar, now! What'd I tell you? I knowed dat baby done be plum growed up. You don't 'member Uncle Mose, child?"

"This is Aunt Cindy's Mose, Lydia," explained the Major. "He left

Sunnymead for the West when you were two years old."

"Well," said Miss Lydia, "I can hardly be expected to remember you, Uncle Mose, at that age. And, as you say, I'm 'plum growed up,' and was a blessed long time ago. But I'm glad to see you, even if I can't remember you."

And she was. And so was the Major. Something alive and tangible had come to link them with the happy past. The three sat and talked over the olden times, the Major and Uncle Mose correcting or prompting each other as they reviewed the plantation scenes and days.

The Major inquired what the old man was doing so far from his home.

"Uncle Mose am a delicate," he explained, "to de grand Baptis' convention in dis city. I never preached none, but bein' a residin' elder in de church, and able fur to pay my own expenses, dey sent me along."

"And how did you know we were in Washington?" inquired Miss Lydia.

"Dey's a cullud man works in de hotel whar I stops, what comes from Mobile. He told me he seen Mars' Pendleton comin' outen dish here house one mawnin'.

"What I come fur," continued Uncle Mose, reaching into his pocket—"besides de sight of home folks—was to pay Mars' Pendleton what I owes him.

"Yessir—three hundred dollars." He handed the Major a roll of bills. "When I lef' old mars' says: 'Take dem mule colts, Mose, and, if it be so you gits able, pay fur 'em.' Yessir—dem was his words. De war had done lef' old mars' po' hisself. Old mars' bein' long ago dead, de debt descends to Mars' Pendleton. Three hundred dollars. Uncle Mose is plenty able to pay now. When dat railroad buy my lan' I laid off to pay fur dem mules. Count de money, Mars' Pendleton. Dat's what I sold dem mules fur. Yessir."

Tears were in Major Talbot's eyes. He took Uncle Mose's hand and laid his other upon his shoulder.

"Dear, faithful, old servitor," he said in an unsteady voice, "I don't mind saying to you that 'Mars' Pendleton spent his last dollar in the world a week ago. We will accept this money, Uncle Mose, since, in a way, it is a sort of payment, as well as a token of the loyalty and devotion of the old régime. Lydia, my dear, take the money. You are better fitted than I to manage its expenditure."

"Take it, honey," said Uncle Mose. "Hit belongs to you. Hit's Talbot money."

After Uncle Mose had gone, Miss Lydia had a good cry—-for joy; and the Major turned his face to a corner, and smoked his clay pipe volcanically.

The succeeding days saw the Talbots restored to peace and ease. Miss Lydia's face lost its worried look. The major appeared in a new frock coat, in which he looked like a wax figure personifying the memory of his golden age. Another publisher who read the manuscript of the Anecdotes and Reminiscences thought that, with a little retouching and toning down of the high lights, he could make a really bright and salable volume of it. Altogether, the situation was comfortable, and not without the touch of hope that is often sweeter than arrived blessings.

One day, about a week after their piece of good luck, a maid brought a letter for Miss Lydia to her room. The postmark showed that it was from New York. Not knowing any one there, Miss Lydia, in a mild flutter of wonder, sat down by her table and opened the letter with her scissors. This was what she read:

DEAR MISS TALBOT:

I thought you might be glad to learn of my good fortune. I have received and accepted an offer of two hundred dollars per week by a New York stock company to play Colonel Calhoun in A Magnolia Flower.

There is something else I wanted you to know. I guess you'd better not tell Major Talbot. I was anxious to make him some amends for the great help he was to me in studying the part, and for the bad humor he was in about it. He refused to let me, so I did it anyhow. I could easily spare the three hundred.

Sincerely yours,

H. HOPKINS HARGRAVES.

P.S. How did I play Uncle Mose?

Major Talbot, passing through the hall, saw Miss Lydia's door open and stopped.

"Any mail for us this morning, Lydia, dear?" he asked.

Miss Lydia slid the letter beneath a fold of her dress.

"The Mobile Chronicle came," she said promptly. "It's on the table in your study". 

Compliments of the Season

There are no more Christmas stories to write. Fiction is exhausted; and newspaper items, the next best, are manufactured by clever young journalists who have married early and have an engagingly pessimistic view of life. Therefore, for seasonable diversion, we are reduced to very questionable sources--facts and philosophy. We will begin with--whichever you choose to call it.

Children are pestilential little animals with which we have to cope under a bewildering variety of conditions. Especially when childish sorrows overwhelm them are we put to our wits' end. We exhaust our paltry store of consolation; and then beat them, sobbing, to sleep. Then we grovel in the dust of a million years, and ask God why. Thus we call out of the rat-trap. As for the children, no one understands them except old maids, hunchbacks, and shepherd dogs.

Now comes the facts in the case of the Rag-Doll, the Tatterdemalion, and the Twenty-fifth of December.

On the tenth of that month the Child of the Millionaire lost her rag-doll. There were many servants in the Millionaire's palace on the Hudson, and these ransacked the house and grounds, but without finding the lost treasure. The child was a girl of five, and one of those perverse little beasts that often wound the sensibilities of wealthy parents by fixing their affections upon some vulgar, inexpensive toy instead of upon diamond-studded automobiles and pony phaetons.

The Child grieved sorely and truly, a thing inexplicable to the Millionaire, to whom the rag-doll market was about as interesting as Bay State Gas; and to the Lady, the Child's mother, who was all form--that is, nearly all, as you shall see.

The Child cried inconsolably, and grew hollow-eyed, knock-kneed, spindling, and corykilverty in many other respects. The Millionaire smiled and tapped his coffers confidently. The pick of the output of the French and German toymakers was rushed by special delivery to the mansion; but Rachel refused to be comforted. She was weeping for her rag child, and was for a high protective tariff against all foreign foolishness. Then doctors with the finest bedside manners and stop-watches were called in. One by one they chattered futilely about peptomanganate of iron and sea voyages and hypophosphites until their stop-watches showed that Bill Rendered was under the wire for show or place. Then, as men, they advised that the rag-doll be found as soon as possible and restored to its mourning parent. The Child sniffed at therapeutics, chewed a thumb, and wailed for her Betsy. And all this time cablegrams were coming from Santa Claus saying that he would soon be here and enjoining us to show a true Christian spirit and let up on the pool-rooms and tontine policies and platoon systems long enough to give him a welcome. Everywhere the spirit of Christmas was diffusing itself. The banks were refusing loans, the pawn-brokers had doubled their gang of helpers, people bumped your shins on the streets with red sleds, Thomas and Jeremiah bubbled before you on the bars while you waited on one foot, holly-wreaths of hospitality were hung in windows of the stores, they who had 'em were getting their furs. You hardly knew which was the best bet in balls--three, high, moth, or snow. It was no time at which to lose the rag-doll or your heart.

If Doctor Watson's investigating friend had been called in to solve this mysterious disappearance he might have observed on the Millionaire's wall a copy of "The Vampire." That would have quickly suggested, by induction, "A rag and a bone and a hank of hair." "Flip," a Scotch terrier, next to the rag-doll in the Child's heart, frisked through the halls. The hank of hair! Aha! X, the unfound quantity, represented the rag-doll. But, the bone? Well, when dogs find bones they--Done! It were an easy and a fruitful task to examine Flip's forefeet. Look, Watson! Earth--dried earth between the toes. Of course, the dog--but Sherlock was not there. Therefore it devolves. But topography and architecture must intervene.

The Millionaire's palace occupied a lordly space. In front of it was a lawn close-mowed as a South Ireland man's face two days after a shave. At one side of it, and fronting on another street was a pleasaunce trimmed to a leaf, and the garage and stables. The Scotch pup had ravished the rag-doll from the nursery, dragged it to a corner of the lawn, dug a hole, and buried it after the manner of careless undertakers. There you have the mystery solved, and no checks to write for the hypodermical wizard or fi'-pun notes to toss to the sergeant. Then let's get down to the heart of the thing, tiresome readers--the Christmas heart of the thing.

Fuzzy was drunk--not riotously or helplessly or loquaciously, as you or I might get, but decently, appropriately, and inoffensively, as becomes a gentleman down on his luck.

Fuzzy was a soldier of misfortune. The road, the haystack, the park bench, the kitchen door, the bitter round of eleemosynary beds-with-shower-bath-attachment, the petty pickings and ignobly garnered largesse of great cities--these formed the chapters of his history.

Fuzzy walked toward the river, down the street that bounded one side of the Millionaire's house and grounds. He saw a leg of Betsy, the lost rag-doll, protruding, like the clue to a Lilliputian murder mystery, from its untimely grave in a corner of the fence. He dragged forth the maltreated infant, tucked it under his arm, and went on his way crooning a road song of his brethren that no doll that has been brought up to the sheltered life should hear. Well for Betsy that she had no ears. And well that she had no eyes save unseeing circles of black; for the faces of Fuzzy and the Scotch terrier were those of brothers, and the heart of no rag-doll could withstand twice to become the prey of such fearsome monsters.

Though you may not know it, Grogan's saloon stands near the river and near the foot of the street down which Fuzzy traveled. In Grogan's, Christmas cheer was already rampant.

Fuzzy entered with his doll. He fancied that as a mummer at the feast of Saturn he might earn a few drops from the wassail cup.

He set Betsy on the bar and addressed her loudly and humorously, seasoning his speech with exaggerated compliments and endearments, as one entertaining his lady friend. The loafers and bibbers around caught the farce of it, and roared. The bartender gave Fuzzy a drink. Oh, many of us carry rag-dolls.

"One for the lady?" suggested Fuzzy impudently, and tucked another contribution to Art beneath his waistcoat.

He began to see possibilities in Betsy. His first-night had been a success. Visions of a vaudeville circuit about town dawned upon him.

In a group near the stove sat "Pigeon" McCarthy, Black Riley, and "One-ear" Mike, well and unfavorably known in the tough shoestring district that blackened the left bank of the river. They passed a newspaper back and forth among themselves. The item that each solid and blunt forefinger pointed out was an advertisement headed "One Hundred Dollars Reward." To earn it one must return the rag-doll lost, strayed, or stolen from the Millionaire's mansion. It seemed that grief still ravaged, unchecked, in the bosom of the too faithful Child. Flip, the terrier, capered and shook his absurd whisker before her, powerless to distract. She wailed for her Betsy in the faces of walking, talking, mama-ing, and eye-closing French Mabelles and Violettes. The advertisement was a last resort.

Black Riley came from behind the stove and approached Fuzzy in his one-sided parabolic way.

The Christmas mummer, flushed with success, had tucked Betsy under his arm, and was about to depart to the filling of impromptu dates elsewhere.

"Say, 'Bo," said Black Riley to him, "where did you cop out dat doll?"

"This doll?" asked Fuzzy, touching Betsy with his forefinger to be sure that she was the one referred to. Why, this doll was presented to me by the Emperor of Beloochistan. I have seven hundred others in my country home in Newport. This doll--"

"Cheese the funny business," said Riley. "You swiped it or picked it up at de house on de hill where--but never mind dat. You want to take fifty cents for de rags, and take it quick. Me brother's kid at home might be wantin' to play wid it. Hey--what?"

He produced the coin.

Fuzzy laughed a gurgling, insolent, alcoholic laugh in his face. Go to the office of Sarah Bernhardt's manager and propose to him that she be released from a night's performance to entertain the Tackytown Lyceum and Literary Coterie. You will hear the duplicate of Fuzzy's laugh.

Black Riley gauged Fuzzy quickly with his blueberry eye as a wrestler does. His hand was itching to play the Roman and wrest the rag Sabine from the extemporaneous merry-andrew who was entertaining an angel unaware. But he refrained. Fuzzy was fat and solid and big. Three inches of well-nourished corporeity, defended from the winter winds by dingy linen, intervened between his vest and trousers. Countless small, circular wrinkles running around his coat-sleeves and knees guaranteed the quality of his bone and muscle. His small, blue eyes, bathed in the moisture of altruism and wooziness, looked upon you kindly, yet without abashment. He was whiskerly, whiskyly, fleshily formidable. So, Black Riley temporized.

"Wot'll you take for it, den?" he asked.

"Money," said Fuzzy, with husky firmness, "cannot buy her."

He was intoxicated with the artist's first sweet cup of attainment. To set a faded-blue, earth-stained rag-doll on a bar, to hold mimic converse with it, and to find his heart leaping with the sense of plaudits earned and his throat scorching with free libations poured in his honor--could base coin buy him from such achievements? You will perceive that Fuzzy had the temperament.

Fuzzy walked out with the gait of a trained sea-lion in search of other cafés to conquer.

Though the dusk of twilight was hardly yet apparent, lights were beginning to spangle the city like pop-corn bursting in a deep skillet. Christmas Eve, impatiently expected, was peeping over the brink of the hour. Millions had prepared for its celebration. Towns would be painted red. You, yourself, have heard the horns and dodged the capers of the Saturnalians.

"Pigeon" McCarthy, Black Riley, and "One-ear" Mike held a hasty converse outside Grogan's. They were narrow-chested, pallid striplings, not fighters in the open, but more dangerous in their ways of warfare than the most terrible of Turks. Fuzzy, in a pitched battle, could have eaten the three of them. In a go-as-you-please encounter he was already doomed.

They overtook him just as he and Betsy were entering Costigan's Casino. They deflected him, and shoved the newspaper under his nose. Fuzzy could read--and more.

"Boys," said he, "you are certainly damn true friends. Give me a week to think it over."

The soul of a real artist is quenched with difficulty.

The boys carefully pointed out to him that advertisements were soulless, and that the deficiencies of the day might not be supplied by the morrow.

"A cool hundred," said Fuzzy thoughtfully and mushily.

"Boys," said he, "you are true friends. I'll go up and claim the reward. The show business is not what it used to be."

Night was falling more surely. The three tagged at his sides to the foot of the rise on which stood the Millionaire's house. There Fuzzy turned upon them acrimoniously.

"You are a pack of putty-faced beagle-hounds," he roared. "Go away."

They went away--a little way.

In "Pigeon" McCarthy's pocket was a section of one-inch gas-pipe eight inches long. In one end of it and in the middle of it was a lead plug. One-half of it was packed tight with solder. Black Riley carried a slung-shot, being a conventional thug. "One-ear" Mike relied upon a pair of brass knucks--an heirloom in the family.

"Why fetch and carry," said Black Riley, "when some one will do it for ye? Let him bring it out to us. Hey--what?"

"We can chuck him in the river," said "Pigeon" McCarthy, "with a stone tied to his feet."

"Youse guys make me tired," said "One-ear" Mike sadly. "Ain't progress ever appealed to none of yez? Sprinkle a little gasoline on 'im, and drop 'im on the Drive--well?"

Fuzzy entered the Millionaire's gate and zigzagged toward the softly glowing entrance of the mansion. The three goblins came up to the gate and lingered--one on each side of it, one beyond the roadway. They fingered their cold metal and leather, confident.

Fuzzy rang the door-bell, smiling foolishly and dreamily. An atavistic instinct prompted him to reach for the button of his right glove. But he wore no gloves; so his left hand dropped, embarrassed.

The particular menial whose duty it was to open doors to silks and laces shied at first sight of Fuzzy. But a second glance took in his passport, his card of admission, his surety of welcome--the lost rag-doll of the daughter of the house dangling under his arm.

Fuzzy was admitted into a great hall, dim with the glow from unseen lights. The hireling went away and returned with a maid and the Child. The doll was restored to the mourning one. She clasped her lost darling to her breast; and then, with the inordinate selfishness and candor of childhood, stamped her foot and whined hatred and fear of the odious being who had rescued her from the depths of sorrow and despair. Fuzzy wriggled himself into an ingratiatory attitude and essayed the idiotic smile and blattering small talk that is supposed to charm the budding intellect of the young. The Child bawled, and was dragged away, hugging her Betsy close.

There came the Secretary, pale, poised, polished, gliding in pumps, and worshipping pomp and ceremony. He counted out into Fuzzy's hand ten ten-dollar bills; then dropped his eye upon the door, transferred it to James, its custodian, indicated the obnoxious earner of the reward with the other, and allowed his pumps to waft him away to secretarial regions.

James gathered Fuzzy with his own commanding optic and swept him as far as the front door.

When the money touched fuzzy's dingy palm his first instinct was to take to his heels; but a second thought restrained him from that blunder of etiquette. It was his; it had been given him. It--and, oh, what an elysium it opened to the gaze of his mind's eye! He had tumbled to the foot of the ladder; he was hungry, homeless, friendless, ragged, cold, drifting; and he held in his hand the key to a paradise of the mud-honey that he craved. The fairy doll had waved a wand with her rag-stuffed hand; and now wherever he might go the enchanted palaces with shining foot-rests and magic red fluids in gleaming glassware would be open to him.

He followed James to the door.

He paused there as the flunky drew open the great mahogany portal for him to pass into the vestibule.

Beyond the wrought-iron gates in the dark highway Black Riley and his two pals casually strolled, fingering under their coats the inevitably fatal weapons that were to make the reward of the rag-doll theirs.

Fuzzy stopped at the Millionaire's door and bethought himself. Like little sprigs of mistletoe on a dead tree, certain living green thoughts and memories began to decorate his confused mind. He was quite drunk, mind you, and the present was beginning to fade. Those wreaths and festoons of holly with their scarlet berries making the great hall gay--where had he seen such things before? Somewhere he had known polished floors and odors of fresh flowers in winter, and--and some one was singing a song in the house that he thought he had heard before. Some one singing and playing a harp. Of course, it was Christmas--Fuzzy though he must have been pretty drunk to have overlooked that.

And then he went out of the present, and there came back to him out of some impossible, vanished, and irrevocable past a little, pure-white, transient, forgotten ghost--the spirit of _noblesse oblige_. Upon a gentleman certain things devolve.

James opened the outer door. A stream of light went down the graveled walk to the iron gate. Black Riley, McCarthy, and "One-ear" Mike saw, and carelessly drew their sinister cordon closer about the gate.

With a more imperious gesture than James's master had ever used or could ever use, Fuzzy compelled the menial to close the door. Upon a gentleman certain things devolve. Especially at the Christmas season.

"It is cust--customary," he said to James, the flustered, "when a gentleman calls on Christmas Eve to pass the compliments of the season with the lady of the house. You und'stand? I shall not move shtep till I pass compl'ments season with lady the house. Und'stand?"

There was an argument. James lost. Fuzzy raised his voice and sent it through the house unpleasantly. I did not say he was a gentleman. He was simply a tramp being visited by a ghost.

A sterling silver bell rang. James went back to answer it, leaving Fuzzy in the hall. James explained somewhere to some one.

Then he came and conducted Fuzzy into the library.

The lady entered a moment later. She was more beautiful and holy than any picture that Fuzzy had seen. She smiled, and said something about a doll. Fuzzy didn't understand that; he remembered nothing about a doll.

A footman brought in two small glasses of sparkling wine on a stamped sterling-silver waiter. The Lady took one. The other was handed to Fuzzy.

As his fingers closed on the slender glass stem his disabilities dropped from him for one brief moment. He straightened himself; and Time, so disobliging to most of us, turned backward to accommodate Fuzzy.

Forgotten Christmas ghosts whiter than the false beards of the most opulent Kris Kringle were rising in the fumes of Grogan's whisky. What had the Millionaire's mansion to do with a long, wainscoted Virginia hall, where the riders were grouped around a silver punch-bowl, drinking the ancient toast of the House? And why should the patter of the cab horses' hoofs on the frozen street be in any wise related to the sound of the saddled hunters stamping under the shelter of the west veranda? And what had Fuzzy to do with any of it?

The Lady, looking at him over her glass, let her condescending smile fade away like a false dawn. Her eyes turned serious. She saw something beneath the rags and Scotch terrier whiskers that she did not understand. But it did not matter.

Fuzzy lifted his glass and smiled vacantly.

"P-pardon, lady," he said, "but couldn't leave without exchangin' comp'ments sheason with lady th' house. 'Gainst princ'ples gen'leman do sho."

And then he began the ancient salutation that was a tradition in the House when men wore lace ruffles and powder.

"The blessings of another year--"

Fuzzy's memory failed him. The Lady prompted:

"--Be upon this hearth."

"--The guest--" stammered Fuzzy.

"--And upon her who--" continued the Lady, with a leading smile.

"Oh, cut it out," said Fuzzy, ill-manneredly. "I can't remember. Drink hearty."

Fuzzy had shot his arrow. They drank. The Lady smiled again the smile of her caste. James enveloped and re-conducted him toward the front door. The harp music still softly drifted through the house.

Outside, Black Riley breathed on his cold hands and hugged the gate.

"I wonder," said the Lady to herself, musing, "who--but there were so many who came. I wonder whether memory is a curse or a blessing to them after they have fallen so low."

Fuzzy and his escort were nearly at the door. The Lady called: "James!"

James stalked back obsequiously, leaving Fuzzy waiting unsteadily, with his brief spark of the divine fire gone.

Outside, Black Riley stamped his cold feet and got a firmer grip on his section of gas-pipe.

"You will conduct this gentleman," said the lady, "Downstairs. Then tell Louis to get out the Mercedes and take him to whatever place he wishes to go."