Our Aunt

She might have been put into a play, and wholly and solely on account of the fact that she only lived for the theatre and for what was done there. She was an honorable matron; but Agent Fabs, whom she used to call "Flabs," declared that our aunt was stage-struck.

"The theatre is my school," said she, "the source of my knowledge. From thence I have resuscitated Biblical history. Now, 'Moses' and 'Joseph in Egypt'—there are operas for you! I get my universal history from the theatre, my geography, and my knowledge of men. Out of the French pieces I get to know life in Paris—slippery, but exceedingly interesting. How I have cried over 'La Famille Roquebourg'—that the man must drink himself to death, so that she may marry the young fellow! Yes, how many tears I have wept in the fifty years I have subscribed to the theatre!"

Our aunt knew every acting play, every bit of scenery, every character, every one who appeared or had appeared. She seemed really only to live during the nine months the theatre was open. Summertime without a summer theatre seemed to be only a time that made her old; while, on the other hand, a theatrical evening that lasted till midnight was a lengthening of her life. She did not say, as other people do, "Now we shall have spring, the stork is here," or, "They've advertised the first strawberries in the papers." She, on the contrary, used to announce the coming of autumn, with "Have you heard they're selling boxes for the theatre? now the performances will begin."

She used to value a lodging entirely according to its proximity to the theatre. It was a real sorrow to her when she had to leave the little lane behind the playhouse, and move into the great street that lay a little farther off, and live there in a house where she had no opposite neighbors.

"At home," said she, "my windows must be my opera-box. One cannot sit and look into one's self till one's tired; one must see people. But now I live just as if I'd go into the country. If I want to see human beings, I must go into my kitchen, and sit down on the sink, for there only I have opposite neighbors. No; when I lived in my dear little lane, I could look straight down into the ironmonger's shop, and had only three hundred paces to the theatre; and now I've three thousand paces to go, military measurement."

Our aunt was sometimes ill, but however unwell she might feel, she never missed the play. The doctor prescribed one day that she should put her feet in a bran bath, and she followed his advice; but she drove to the theatre all the same, and sat with her feet in bran there. If she had died there, she would have been very glad. Thorwaldsen died in the theatre, and she called that a happy death.

She could not imagine but that in heaven there must be a theatre too. It had not, indeed, been promised us, but we might very well imagine it. The many distinguished actors and actresses who had passed away must surely have a field for their talent.

Our aunt had an electric wire from the theatre to her room. A telegram used to be dispatched to her at coffee-time, and it used to consist of the words, "Herr Sivertsen is at the machinery;" for it was he who gave the signal for drawing the curtain up and down and for changing the scenes.

From him she used to receive a short and concise description of every piece. His opinion of Shakspeare's "Tempest," was, "Mad nonsense! There's so much to put up, and the first scene begins with 'Water to the front of the wings.'" That is to say, the water had to come forward so far. But when, on the other hand, the same interior scene remained through five acts, he used to pronounce it a sensible, well-written play, a resting play, which performed itself, without putting up scenes.

In earlier times, by which name our aunt used to designate thirty years ago, she and the before-mentioned Herr Sivertsen had been younger. At that time he had already been connected with the machinery, and was, as she said, her benefactor. It used to be the custom in those days that in the evening performances in the only theatre the town possessed, spectators were admitted to the part called the "flies," over the stage, and every machinist had one or two places to give away. Often the flies were quite full of good company; it was said that generals' wives and privy councillors' wives had been up there. It was quite interesting to look down behind the scenes, and to see how the people walked to and fro on the stage when the curtain was down.

Our aunt had been there several times, as well when there was a tragedy as when there was a ballet; for the pieces in which there were the greatest number of characters on the stage were the most interesting to see from the flies. One sat pretty much in the dark up there, and most people took their supper up with them. Once three apples and a great piece of bread and butter and sausage fell down right into the dungeon of Ugolino, where that unhappy man was to be starved to death; and there was great laughter among the audience. The sausage was one of the weightiest reasons why the worthy management refused in future to have any spectators up in the flies.

"But I was there seven-and-thirty times," said our aunt, "and I shall always remember Mr. Sivertsen for that."

On the very last evening when the flies were still open to the public, the "Judgment of Solomon" was performed, as our aunt remembered very well. She had, through the influence of her benefactor, Herr Sivertsen, procured a free admission for the Agent Fabs, although he did not deserve it in the least, for he was always cutting his jokes about the theatre and teasing our aunt; but she had procured him a free admission to the flies, for all that. He wanted to look at this player-stuff from the other side.

"Those were his own words, and they were just like him," said our aunt.

He looked down from above on the 'Judgment of Solomon,' and fell asleep over it. One would have thought that he had come from a dinner where many toasts had been given. He went to sleep, and was locked in. And there he sat through the dark night in the flies, and when he woke, he told a story, but our aunt would not believe it.

"The 'Judgment of Solomon' was over," he said, "and all the people had gone away, up stairs and down stairs; but now the real play began, the after-piece, which was the best of all," said the agent. "Then life came into the affair. It was not the 'Judgment of Solomon' that was performed; no, a real court of judgment was held upon the stage." And Agent Fabs had the impudence to try and make our aunt believe all this. That was the thanks she got for having got him a place in the flies.

What did the agent say? Why, it was curious enough to hear, but there was malice and satire in it.

"It looked dark enough up there," said the agent; "but then the magic business began—a great performance, 'The Judgment in the Theatre.' The box-keepers were at their posts, and every spectator had to show his ghostly pass-book, that it might be decided if he was to be admitted with hands loose or bound, and with or without a muzzle. Grand people who came too late, when the performance had begun, and young people, who could not always watch the time, were tied up outside, and had list slippers put on their feet, with which they were allowed to go in before the beginning of the next act, and they had muzzles too. And then the 'Judgment on the Stage' began."

"All malice, and not a bit of truth in it," said our aunt.

The painter, who wanted to get to Paradise, had to go up a staircase which he had himself painted, but which no man could mount. That was to expiate his sins against perspective. All the plants and buildings, which the property-man had placed, with infinite pains, in countries to which they did not belong, the poor fellow was obliged to put in their right places before cockcrow, if he wanted to get into Paradise. Let Herr Fabs see how he would get in himself; but what he said of the performers, tragedians and comedians, singers and dancers, that was the most rascally of all. Mr. Fabs, indeed!—Flabs! He did not deserve to be admitted at all, and our aunt would not soil her lips with what he said. And he said, did Flabs, that the whole was written down, and it should be printed when he was dead and buried, but not before, for he would not risk having his arms and legs broken.

Once our aunt had been in fear and trembling in her temple of happiness, the theatre. It was on a winter day, one of those days in which one has a couple of hours of daylight, with a gray sky. It was terribly cold and snowy, but aunt must go to the theatre. A little opera and a great ballet were performed, and a prologue and an epilogue into the bargain; and that would last till late at night. Our aunt must needs go; so she borrowed a pair of fur boots of her lodger—boots with fur inside and out, and which reached far up her legs.

She got to the theatre, and to her box; the boots were warm, and she kept them on. Suddenly there was a cry of "Fire!" Smoke was coming from one of the side scenes, and streamed down from the flies, and there was a terrible panic. The people came rushing out, and our aunt was the last in the box, "on the second tier, left-hand side, for from there the scenery looks best," she used to say. "The scenes are always arranged that they look best from the King's side." Aunt wanted to come out, but the people before her, in their fright and heedlessness, slammed the door of the box; and there sat our aunt, and couldn't get out, and couldn't get in; that is to say, she couldn't get into the next box, for the partition was too high for her. She called out, and no one heard her; she looked down into the tier of boxes below her, and it was empty, and low, and looked quite near, and aunt in her terror felt quite young and light. She thought of jumping down, and had got one leg over the partition, the other resting on the bench. There she sat astride, as if on horseback, well wrapped up in her flowered cloak with one leg hanging out—a leg in a tremendous fur boot. That was a sight to behold; and when it was beheld, our aunt was heard too, and was saved from burning, for the theatre was not burned down.

That was the most memorable evening of her life, and she was glad that she could not see herself, for she would have died with confusion.

Her benefactor in the machinery department, Herr Sivertsen, visited her every Sunday, but it was a long time from Sunday to Sunday. In the latter time, therefore, she used to have in a little child "for the scraps;" that is to say, to eat up the remains of the dinner. It was a child employed in the ballet, one that certainly wanted feeding. The little one used to appear, sometimes as an elf, sometimes as a page; the most difficult part she had to play was the lion's hind leg in the "Magic Flute;" but as she grew larger she could represent the fore-feet of the lion. She certainly only got half a guilder for that, whereas the hind legs were paid for with a whole guilder; but then she had to walk bent, and to do without fresh air. "That was all very interesting to hear," said our aunt.

She deserved to live as long as the theatre stood, but she could not last so long; and she did not die in the theatre, but respectably in her bed. Her last words were, moreover, not without meaning. She asked,

"What will the play be to-morrow?"

At her death she left about five hundred dollars. We presume this from the interest, which came to twenty dollars. This our aunt had destined as a legacy for a worthy old spinster who had no friends; it was to be devoted to a yearly subscription for a place in the second tier, on the left side, for the Saturday evening, "for on that evening two pieces were always given," it said in the will; and the only condition laid upon the person who enjoyed the legacy was, that she should think, every Saturday evening, of our aunt, who was lying in her grave.

This was our aunt's religion.

The Old Street Lamp

It was a most respectable old lamp, which had seen many, many years of service, and now was to retire with a pension. It was this evening at its post for the last time, giving light to the street. His feelings were something like those of an old dancer at the theatre, who is dancing for the last time, and knows that on the morrow she will be in her garret, alone and forgotten.

The lamp had very great anxiety about the next day, for he knew that he had to appear for the first time at the town hall, to be inspected by the mayor and the council, who were to decide if he were fit for further service or not;—whether the lamp was good enough to be used to light the inhabitants of one of the suburbs, or in the country, at some factory; and if not, it would be sent at once to an iron foundry, to be melted down. In this latter case it might be turned into anything, and he wondered very much whether he would then be able to remember that he had once been a street lamp, and it troubled him exceedingly. Whatever might happen, one thing seemed certain, that he would be separated from the watchman and his wife, whose family he looked upon as his own.

The lamp had first been hung up on that very evening that the watchman, then a robust young man, had entered upon the duties of his office. Ah, well, it was a very long time since one became a lamp and the other a watchman. His wife had a little pride in those days; she seldom condescended to glance at the lamp, excepting when she passed by in the evening, never in the daytime. But in later years, when all these,—the watchman, the wife, and the lamp—had grown old, she had attended to it, cleaned it, and supplied it with oil. The old people were thoroughly honest, they had never cheated the lamp of a single drop of the oil provided for it.

This was the lamp's last night in the street, and to-morrow he must go to the town-hall,—two very dark things to think of. No wonder he did not burn brightly. Many other thoughts also passed through his mind. How many persons he had lighted on their way, and how much he had seen; as much, very likely, as the mayor and corporation themselves! None of these thoughts were uttered aloud, however; for he was a good, honorable old lamp, who would not willingly do harm to any one, especially to those in authority. As many things were recalled to his mind, the light would flash up with sudden brightness; he had, at such moments, a conviction that he would be remembered.

 "There was a handsome young man once," thought he; "it is certainly a long while ago, but I remember he had a little note, written on pink paper with a gold edge; the writing was elegant, evidently a lady's hand: twice he read it through, and kissed it, and then looked up at me, with eyes that said quite plainly, 'I am the happiest of men!' Only he and I know what was written on this his first letter from his lady-love. Ah, yes, and there was another pair of eyes that I remember,—it is really wonderful how the thoughts jump from one thing to another! A funeral passed through the street; a young and beautiful woman lay on a bier, decked with garlands of flowers, and attended by torches, which quite overpowered my light. All along the street stood the people from the houses, in crowds, ready to join the procession.

But when the torches had passed from before me, and I could look round, I saw one person alone, standing, leaning against my post, and weeping. Never shall I forget the sorrowful eyes that looked up at me.

" These and similar reflections occupied the old street lamp, on this the last time that his light would shine. The sentry, when he is relieved from his post, knows at least who will succeed him, and may whisper a few words to him, but the lamp did not know his successor, or he could have given him a few hints respecting rain, or mist, and could have informed him how far the moon's rays would rest on the pavement, and from which side the wind generally blew, and so on.

On the bridge over the canal stood three persons, who wished to recommend themselves to the lamp, for they thought he could give the office to whomsoever he chose. The first was a herring's head, which could emit light in the darkness. He remarked that it would be a great saving of oil if they placed him on the lamp-post. Number two was a piece of rotten wood, which also shines in the dark.

He considered himself descended from an old stem, once the pride of the forest. The third was a glow-worm, and how he found his way there the lamp could not imagine, yet there he was, and could really give light as well as the others. But the rotten wood and the herring's head declared most solemnly, by all they held sacred, that the glow-worm only gave light at certain times, and must not be allowed to compete with themselves. The old lamp assured them that not one of them could give sufficient light to fill the position of a street lamp; but they would believe nothing he said. And when they discovered that he had not the power of naming his successor, they said they were very glad to hear it, for the lamp was too old and worn-out to make a proper choice.

At this moment the wind came rushing round the corner of the street, and through the air-holes of the old lamp. "What is this I hear?" said he; "that you are going away to-morrow? Is this evening the last time we shall meet? Then I must present you with a farewell gift. I will blow into your brain, so that in future you shall not only be able to remember all that you have seen or heard in the past, but your light within shall be so bright, that you shall be able to understand all that is said or done in your presence."

"Oh, that is really a very, very great gift," said the old lamp; "I thank you most heartily. I only hope I shall not be melted down."

"That is not likely to happen yet," said the wind; "and I will also blow a memory into you, so that should you receive other similar presents your old age will pass very pleasantly."

"That is if I am not melted down," said the lamp. "But should I in that case still retain my memory?"

"Do be reasonable, old lamp," said the wind, puffing away.

At this moment the moon burst forth from the clouds. "What will you give the old lamp?" asked the wind.

"I can give nothing," she replied; "I am on the wane, and no lamps have ever given me light while I have frequently shone upon them." And with these words the moon hid herself again behind the clouds, that she might be saved from further importunities. Just then a drop fell upon the lamp, from the roof of the house, but the drop explained that he was a gift from those gray clouds, and perhaps the best of all gifts. "I shall penetrate you so thoroughly," he said, "that you will have the power of becoming rusty, and, if you wish it, to crumble into dust in one night."

But this seemed to the lamp a very shabby present, and the wind thought so too. "Does no one give any more? Will no one give any more?" shouted the breath of the wind, as loud as it could. Then a bright falling star came down, leaving a broad, luminous streak behind it.

"What was that?" cried the herring's head. "Did not a star fall? I really believe it went into the lamp. Certainly, when such high-born personages try for the office, we may as well say 'Good-night,' and go home."

And so they did, all three, while the old lamp threw a wonderfully strong light all around him.

"This is a glorious gift," said he; "the bright stars have always been a joy to me, and have always shone more brilliantly than I ever could shine, though I have tried with my whole might; and now they have noticed me, a poor old lamp, and have sent me a gift that will enable me to see clearly everything that I remember, as if it still stood before me, and to be seen by all those who love me. And herein lies the truest pleasure, for joy which we cannot share with others is only half enjoyed."

"That sentiment does you honor," said the wind; "but for this purpose wax lights will be necessary. If these are not lighted in you, your particular faculties will not benefit others in the least. The stars have not thought of this; they suppose that you and every other light must be a wax taper: but I must go down now." So he laid himself to rest.

"Wax tapers, indeed!" said the lamp, "I have never yet had these, nor is it likely I ever shall. If I could only be sure of not being melted down!"

The next day. Well, perhaps we had better pass over the next day. The evening had come, and the lamp was resting in a grandfather's chair, and guess where! Why, at the old watchman's house. He had begged, as a favor, that the mayor and corporation would allow him to keep the street lamp, in consideration of his long and faithful service, as he had himself hung it up and lit it on the day he first commenced his duties, four-and-twenty years ago. He looked upon it almost as his own child; he had no children, so the lamp was given to him. There it lay in the great arm-chair near to the warm stove. It seemed almost as if it had grown larger, for it appeared quite to fill the chair. The old people sat at their supper, casting friendly glances at the old lamp, whom they would willingly have admitted to a place at the table. It is quite true that they dwelt in a cellar, two yards deep in the earth, and they had to cross a stone passage to get to their room, but within it was warm and comfortable and strips of list had been nailed round the door.

 The bed and the little window had curtains, and everything looked clean and neat. On the window seat stood two curious flower-pots which a sailor, named Christian, had brought over from the East or West Indies. They were of clay, and in the form of two elephants, with open backs; they were hollow and filled with earth, and through the open space flowers bloomed. In one grew some very fine chives or leeks; this was the kitchen garden. The other elephant, which contained a beautiful geranium, they called their flower garden. On the wall hung a large colored print, representing the congress of Vienna, and all the kings and emperors at once.

A clock, with heavy weights, hung on the wall and went "tick, tick," steadily enough; yet it was always rather too fast, which, however, the old people said was better than being too slow. They were now eating their supper, while the old street lamp, as we have heard, lay in the grandfather's arm-chair near the stove. It seemed to the lamp as if the whole world had turned round; but after a while the old watchman looked at the lamp, and spoke of what they had both gone through together,—in rain and in fog; during the short bright nights of summer, or in the long winter nights, through the drifting snow-storms, when he longed to be at home in the cellar.

Then the lamp felt it was all right again. He saw everything that had happened quite clearly, as if it were passing before him. Surely the wind had given him an excellent gift. The old people were very active and industrious, they were never idle for even a single hour.

On Sunday afternoons they would bring out some books, generally a book of travels which they were very fond of. The old man would read aloud about Africa, with its great forests and the wild elephants, while his wife would listen attentively, stealing a glance now and then at the clay elephants, which served as flower-pots.

"I can almost imagine I am seeing it all," she said; and then how the lamp wished for a wax taper to be lighted in him, for then the old woman would have seen the smallest detail as clearly as he did himself. The lofty trees, with their thickly entwined branches, the naked negroes on horseback, and whole herds of elephants treading down bamboo thickets with their broad, heavy feet.

"What is the use of all my capabilities," sighed the old lamp, "when I cannot obtain any wax lights; they have only oil and tallow here, and these will not do." One day a great heap of wax-candle ends found their way into the cellar. The larger pieces were burnt, and the smaller ones the old woman kept for waxing her thread. So there were now candles enough, but it never occurred to any one to put a little piece in the lamp.

"Here I am now with my rare powers," thought the lamp, "I have faculties within me, but I cannot share them; they do not know that I could cover these white walls with beautiful tapestry, or change them into noble forests, or, indeed, to anything else they might wish for." The lamp, however, was always kept clean and shining in a corner where it attracted all eyes. Strangers looked upon it as lumber, but the old people did not care for that; they loved the lamp. One day—it was the watchman's birthday—the old woman approached the lamp, smiling to herself, and said, "I will have an illumination to-day in honor of my old man." And the lamp rattled in his metal frame, for he thought, "Now at last I shall have a light within me," but after all no wax light was placed in the lamp, but oil as usual.

The lamp burned through the whole evening, and began to perceive too clearly that the gift of the stars would remain a hidden treasure all his life. Then he had a dream; for, to one with his faculties, dreaming was no difficulty. It appeared to him that the old people were dead, and that he had been taken to the iron foundry to be melted down. It caused him quite as much anxiety as on the day when he had been called upon to appear before the mayor and the council at the town-hall. But though he had been endowed with the power of falling into decay from rust when he pleased, he did not make use of it. He was therefore put into the melting-furnace and changed into as elegant an iron candlestick as you could wish to see, one intended to hold a wax taper. The candlestick was in the form of an angel holding a nosegay, in the centre of which the wax taper was to be placed.

 It was to stand on a green writing table, in a very pleasant room; many books were scattered about, and splendid paintings hung on the walls. The owner of the room was a poet, and a man of intellect; everything he thought or wrote was pictured around him. Nature showed herself to him sometimes in the dark forests, at others in cheerful meadows where the storks were strutting about, or on the deck of a ship sailing across the foaming sea with the clear, blue sky above, or at night the glittering stars. "What powers I possess!" said the lamp, awaking from his dream; "I could almost wish to be melted down; but no, that must not be while the old people live. They love me for myself alone, they keep me bright, and supply me with oil. I am as well off as the picture of the congress, in which they take so much pleasure." And from that time he felt at rest in himself, and not more so than such an honorable old lamp really deserved to be.

The Snail and the Rose-Tree by Hans Christian Andersen

Round about the garden ran a hedge of hazel-bushes; beyond the hedge were fields and meadows with cows and sheep; but in the middle of the garden stood a Rose-tree in bloom, under which sat a Snail, whose shell contained a great deal—that is, himself.

"Only wait till my time comes," he said; "I shall do more than grow roses, bear nuts, or give milk, like the hazel-bush, the cows and the sheep."

"I expect a great deal from you," said the rose-tree. "May I ask when it will appear?"

"I take my time," said the snail. "You're always in such a hurry. That does not excite expectation."

The following year the snail lay in almost the same spot, in the sunshine under the rose-tree, which was again budding and bearing roses as fresh and beautiful as ever. The snail crept half out of his shell, stretched out his horns, and drew them in again.

"Everything is just as it was last year! No progress at all; the rose-tree sticks to its roses and gets no farther."

The summer and the autumn passed; the rose-tree bore roses and buds till the snow fell and the weather became raw and wet; then it bent down its head, and the snail crept into the ground.

A new year began; the roses made their appearance, and the snail made his too.

"You are an old rose-tree now," said the snail. "You must make haste and die. You have given the world all that you had in you; whether it was of much importance is a question that I have not had time to think about. But this much is clear and plain, that you have not done the least for your inner development, or you would have produced something else. Have you anything to say in defence? You will now soon be nothing but a stick. Do you understand what I say?"

"You frighten me," said the rose—tree. "I have never thought of that."

"No, you have never taken the trouble to think at all. Have you ever given yourself an account why you bloomed, and how your blooming comes about—why just in that way and in no other?"

"No," said the rose-tree. "I bloom in gladness, because I cannot do otherwise. The sun shone and warmed me, and the air refreshed me; I drank the clear dew and the invigorating rain. I breathed and I lived! Out of the earth there arose a power within me, whilst from above I also received strength; I felt an ever-renewed and ever-increasing happiness, and therefore I was obliged to go on blooming. That was my life; I could not do otherwise."

"You have led a very easy life," remarked the snail.

"Certainly. Everything was given me," said the rose-tree. "But still more was given to you. Yours is one of those deep-thinking natures, one of those highly gifted minds that astonishes the world."

"I have not the slightest intention of doing so," said the snail. "The world is nothing to me. What have I to do with the world? I have enough to do with myself, and enough in myself."

"But must we not all here on earth give up our best parts to others, and offer as much as lies in our power? It is true, I have only given roses. But you—you who are so richly endowed—what have you given to the world? What will you give it?"

"What have I given? What am I going to give? I spit at it; it's good for nothing, and does not concern me. For my part, you may go on bearing roses; you cannot do anything else. Let the hazel bush bear nuts, and the cows and sheep give milk; they have each their public. I have mine in myself. I retire within myself and there I stop. The world is nothing to me."

With this the snail withdrew into his house and blocked up the entrance.

"That's very sad," said the rose tree. "I cannot creep into myself, however much I might wish to do so; I have to go on bearing roses. Then they drop their leaves, which are blown away by the wind. But I once saw how a rose was laid in the mistress's hymn-book, and how one of my roses found a place in the bosom of a young beautiful girl, and how another was kissed by the lips of a child in the glad joy of life. That did me good; it was a real blessing. Those are my recollections, my life."

And the rose tree went on blooming in innocence, while the snail lay idling in his house—the world was nothing to him.

Years passed by.

The snail had turned to earth in the earth, and the rose tree too. Even the souvenir rose in the hymn-book was faded, but in the garden there were other rose trees and other snails. The latter crept into their houses and spat at the world, for it did not concern them.

Shall we read the story all over again? It will be just the same.

The Red Shoes

Once upon a time...
There was a little girl who was very pretty and delicate, but in summer she was forced to run about with bare feet, she was so poor, and in winter wear very large wooden shoes, which made her little insteps quite red, and that looked so dangerous!

In the middle of the village lived old Dame Shoemaker; she sat and sewed together, as well as she could, a little pair of shoes out of old red strips of cloth; they were very clumsy, but it was a kind thought. They were meant for the little girl. The little girl was called Karen.

On the very day her mother was buried, Karen received the red shoes, and wore them for the first time. They were certainly not intended for mourning, but she had no others, and with stocking-less feet she followed the poor straw coffin in them.

Suddenly a large old carriage drove up, and a large old lady sat in it: she looked at the little girl, felt compassion for her, and then said to the clergyman:

"Here, give me the little girl. I will adopt her!"

And Karen believed all this happened on account of the red shoes, but the old lady thought they were horrible, and they were burnt. But Karen herself was cleanly and nicely dressed; she must learn to read and sew; and people said she was a nice little thing, but the looking-glass said: "Thou art more than nice, thou art beautiful!"

Now the queen once travelled through the land, and she had her little daughter with her. And this little daughter was a princess, and people streamed to the castle, and Karen was there also, and the little princess stood in her fine white dress, in a window, and let herself be stared at; she had neither a train nor a golden crown, but splendid red morocco shoes. They were certainly far handsomer than those Dame Shoemaker had made for little Karen. Nothing in the world can be compared with red shoes.

Now Karen was old enough to be confirmed; she had new clothes and was to have new shoes also. The rich shoemaker in the city took the measure of her little foot. This took place at his house, in his room; where stood large glass-cases, filled with elegant shoes and brilliant boots. All this looked charming, but the old lady could not see well, and so had no pleasure in them. In the midst of the shoes stood a pair of red ones, just like those the princess had worn. How beautiful they were! The shoemaker said also they had been made for the child of a count, but had not fitted.

"That must be patent leather!" said the old lady. "They shine so!"

"Yes, they shine!" said Karen, and they fitted, and were bought, but the old lady knew nothing about their being red, else she would never have allowed Karen to have gone in red shoes to be confirmed. Yet such was the case.

Everybody looked at her feet; and when she stepped through the chancel door on the church pavement, it seemed to her as if the old figures on the tombs, those portraits of old preachers and preachers' wives, with stiff ruffs, and long black dresses, fixed their eyes on her red shoes. And she thought only of them as the clergyman laid his hand upon her head, and spoke of the holy baptism, of the covenant with God, and how she should be now a matured Christian; and the organ pealed so solemnly; the sweet children's voices sang, and the old music-directors sang, but Karen only thought of her red shoes.

In the afternoon, the old lady heard from everyone that the shoes had been red, and she said that it was very wrong of Karen, that it was not at all becoming, and that in future Karen should only go in black shoes to church, even when she should be older.

The next Sunday there was the sacrament, and Karen looked at the black shoes, looked at the red ones, looked at them again, and put on the red shoes.

The sun shone gloriously; Karen and the old lady walked along the path through the corn; it was rather dusty there.

At the church door stood an old soldier with a crutch, and with a wonderfully long beard, which was more red than white, and he bowed to the ground, and asked the old lady whether he might dust her shoes. And Karen stretched out her little foot.

"See, what beautiful dancing shoes!" said the soldier. "Sit firm when you dance"; and he put his hand out towards the soles.

And the old lady gave the old soldier alms, and went into the church with Karen.

And all the people in the church looked at Karen's red shoes, and all the pictures, and as Karen knelt before the altar, and raised the cup to her lips, she only thought of the red shoes, and they seemed to swim in it; and she forgot to sing her psalm, and she forgot to pray, "Our Father in Heaven!"

Now all the people went out of church, and the old lady got into her carriage. Karen raised her foot to get in after her, when the old soldier said,

"Look, what beautiful dancing shoes!"

And Karen could not help dancing a step or two, and when she began her feet continued to dance; it was just as though the shoes had power over them. She danced round the church corner, she could not leave off; the coachman was obliged to run after and catch hold of her, and he lifted her in the carriage, but her feet continued to dance so that she trod on the old lady dreadfully. At length she took the shoes off, and then her legs had peace.

The shoes were placed in a closet at home, but Karen could not avoid looking at them.

Now the old lady was sick, and it was said she could not recover. She must be nursed and waited upon, and there was no one whose duty it was so much as Karen's. But there was a great ball in the city, to which Karen was invited. She looked at the old lady, who could not recover, she looked at the red shoes, and she thought there could be no sin in it; she put on the red shoes, she might do that also, she thought. But then she went to the ball and began to dance.

When she wanted to dance to the right, the shoes would dance to the left, and when she wanted to dance up the room, the shoes danced back again, down the steps, into the street, and out of the city gate. She danced, and was forced to dance straight out into the gloomy wood.

Then it was suddenly light up among the trees, and she fancied it must be the moon, for there was a face; but it was the old soldier with the red beard; he sat there, nodded his head, and said, "Look, what beautiful dancing shoes!"

Then she was terrified, and wanted to fling off the red shoes, but they clung fast; and she pulled down her stockings, but the shoes seemed to have grown to her feet. And she danced, and must dance, over fields and meadows, in rain and sunshine, by night and day; but at night it was the most fearful.

She danced over the churchyard, but the dead did not dance, they had something better to do than to dance. She wished to seat herself on a poor man's grave, where the bitter tansy grew; but for her there was neither peace nor rest; and when she danced towards the open church door, she saw an angel standing there. He wore long, white garments; he had wings which reached from his shoulders to the earth; his countenance was severe and grave; and in his hand he held a sword, broad and glittering.

"Dance shalt thou!" said he. "Dance in thy red shoes till thou art pale and cold! Till thy skin shrivels up and thou art a skeleton! Dance shalt thou from door to door, and where proud, vain children dwell, thou shalt knock, that they may hear thee and tremble! Dance shalt thou, !"

"Mercy!" cried Karen. But she did not hear the angel's reply, for the shoes carried her through the gate into the fields, across roads and bridges, and she must keep ever dancing.

One morning she danced past a door which she well knew. Within sounded a psalm; a coffin, decked with flowers, was borne forth. Then she knew that the old lady was dead, and felt that she was abandoned by all, and condemned by the angel of God.

She danced, and she was forced to dance through the gloomy night. The shoes carried her over stack and stone; she was torn till she bled; she danced over the heath till she came to a little house. Here, she knew, dwelt the executioner; and she tapped with her fingers at the window, and said, "Come out! Come out! I cannot come in, for I am forced to dance!"

And the executioner said, "Thou dost not know who I am, I fancy? I strike bad people's heads off; and I hear that my axe rings!"

"Don't strike my head off!" said Karen. "Then I can't repent of my sins! But strike off my feet in the red shoes!"

And then she confessed her entire sin, and the executioner struck off her feet with the red shoes, but the shoes danced away with the little feet across the field into the deep wood.

And he carved out little wooden feet for her, and crutches, taught her the psalm criminals always sing; and she kissed the hand which had wielded the axe, and went over the heath.

"Now I have suffered enough for the red shoes!" said she. "Now I will go into the church that people may see me!" And she hastened towards the church door: but when she was near it, the red shoes danced before her, and she was terrified, and turned round. The whole week she was unhappy, and wept many bitter tears; but when Sunday returned, she said, "Well, now I have suffered and struggled enough! I really believe I am as good as many a one who sits in the church, and holds her head so high!"

And away she went boldly; but she had not got farther than the churchyard gate before she saw the red shoes dancing before her; and she was frightened, and turned back, and repented of her sin from her heart.

And she went to the parsonage, and begged that they would take her into service; she would be very industrious, she said, and would do everything she could; she did not care about the wages, only she wished to have a home, and be with good people. And the clergyman's wife was sorry for her and took her into service; and she was industrious and thoughtful. She sat still and listened when the clergyman read the Bible in the evenings. All the children thought a great deal of her; but when they spoke of dress, and grandeur, and beauty, she shook her head.

The following Sunday, when the family was going to church, they asked her whether she would not go with them; but she glanced sorrowfully, with tears in her eyes, at her crutches. The family went to hear the word of God; but she went alone into her little chamber; there was only room for a bed and chair to stand in it; and here she sat down with her Prayer-Book; and whilst she read with a pious mind, the wind bore the strains of the organ towards her, and she raised her tearful countenance, and said, "O God, help me!"

And the sun shone so clearly, and straight before her stood the angel of God in white garments, the same she had seen that night at the church door; but he no longer carried the sharp sword, but in its stead a splendid green spray, full of roses. And he touched the ceiling with the spray, and the ceiling rose so high, and where he had touched it there gleamed a golden star. And he touched the walls, and they widened out, and she saw the organ which was playing; she saw the old pictures of the preachers and the preachers' wives. The congregation sat in cushioned seats, and sang out of their Prayer-Books. For the church itself had come to the poor girl in her narrow chamber, or else she had come into the church. She sat in the pew with the clergyman's family, and when they had ended the psalm and looked up, they nodded and said, "It is right that thou art come!"

"It was through mercy!" she said.

And the organ pealed, and the children's voices in the choir sounded so sweet and soft! The clear sunshine streamed so warmly through the window into the pew where Karen sat! Her heart was so full of sunshine, peace, and joy, that it broke. Her soul flew on the sunshine to God, and there no one asked after the RED SHOES.

The Porter's Son by Hans Christian Andersen

The General lived in the grand first floor, and the porter lived in the cellar. There was a great distance between the two families—the whole of the ground floor, and the difference in rank; but they lived in the same house, and both had a view of the street, and of the courtyard. In the courtyard was a grass-plot, on which grew a blooming acacia tree (when it was in bloom), and under this tree sat occasionally the finely-dressed nurse, with the still more finely-dressed child of the General—little Emily. Before them danced about barefoot the little son of the porter, with his great brown eyes and dark hair; and the little girl smiled at him, and stretched out her hands towards him; and when the General saw that from the window, he would nod his head and cry, "Charming!" The General's lady (who was so young that she might very well have been her husband's daughter from an early marriage) never came to the window that looked upon the courtyard. She had given orders, though, that the boy might play his antics to amuse her child, but must never touch it. The nurse punctually obeyed the gracious lady's orders.

The sun shone in upon the people in the grand first floor, and upon the people in the cellar; the acacia tree was covered with blossoms, and they fell off, and next year new ones came. The tree bloomed, and the porter's little son bloomed too, and looked like a fresh tulip.

The General's little daughter became delicate and pale, like the leaf of the acacia blossom. She seldom came down to the tree now, for she took the air in a carriage. She drove out with her mamma, and then she would always nod at the porter's George; yes, she used even to kiss her hand to him, till her mamma said she was too old to do that now.

One morning George was sent up to carry the General the letters and newspapers that had been delivered at the porter's room in the morning. As he was running up stairs, just as he passed the door of the sand-box, he heard a faint piping. He thought it was some young chicken that had strayed there, and was raising cries of distress; but it was the General's little daughter, decked out in lace and finery.

"Don't tell papa and mamma," she whimpered; "they would be angry."

"What's the matter, little missie?" asked George.

"It's all on fire!" she answered. "It's burning with a bright flame!" George hurried up stairs to the General's apartments; he opened the door of the nursery. The window curtain was almost entirely burnt, and the wooden curtain-pole was one mass of flame. George sprang upon a chair he brought in haste, and pulled down the burning articles; he then alarmed the people. But for him, the house would have been burned down.

The General and his lady cross-questioned little Emily.

"I only took just one lucifer-match," she said, "and it was burning directly, and the curtain was burning too. I spat at it, to put it out; I spat at it as much as ever I could, but I could not put it out; so I ran away and hid myself, for papa and mamma would be angry."

"I spat!" cried the General's lady; "what an expression! Did you ever hear your papa and mamma talk about spitting? You must have got that from down stairs!"

And George had a penny given him. But this penny did not go to the baker's shop, but into the savings-box; and soon there were so many pennies in the savings-box that he could buy a paint-box and color the drawings he made, and he had a great number of drawings. They seemed to shoot out of his pencil and out of his fingers' ends. His first colored pictures he presented to Emily.

"Charming!" said the General, and even the General's lady acknowledged that it was easy to see what the boy had meant to draw. "He has genius." Those were the words that were carried down into the cellar.

The General and his gracious lady were grand people. They had two coats of arms on their carriage, a coat of arms for each of them, and the gracious lady had had this coat of arms embroidered on both sides of every bit of linen she had, and even on her nightcap and her dressing-bag. One of the coats of arms, the one that belonged to her, was a very dear one; it had been bought for hard cash by her father, for he had not been born with it, nor had she; she had come into the world too early, seven years before the coat of arms, and most people remembered this circumstance, but the family did not remember it. A man might well have a bee in his bonnet, when he had such a coat of arms to carry as that, let alone having to carry two; and the General's wife had a bee in hers when she drove to the court ball, as stiff and as proud as you please.

The General was old and gray, but he had a good seat on horseback, and he knew it, and he rode out every day, with a groom behind him at a proper distance. When he came to a party, he looked somehow as if he were riding into the room upon his high horse; and he had orders, too, such a number that no one would have believed it; but that was not his fault. As a young man he had taken part in the great autumn reviews which were held in those days. He had an anecdote that he told about those days, the only one he knew. A subaltern under his orders had cut off one of the princes, and taken him prisoner, and the Prince had been obliged to ride through the town with a little band of captured soldiers, himself a prisoner behind the General. This was an ever-memorable event, and was always told over and over again every year by the General, who, moreover, always repeated the remarkable words he had used when he returned his sword to the Prince; those words were, "Only my subaltern could have taken your Highness prisoner; I could never have done it!" And the Prince had replied, "You are incomparable." In a real war the General had never taken part. When war came into the country, he had gone on a diplomatic career to foreign courts. He spoke the French language so fluently that he had almost forgotten his own; he could dance well, he could ride well, and orders grew on his coat in an astounding way. The sentries presented arms to him, one of the most beautiful girls presented arms to him, and became the General's lady, and in time they had a pretty, charming child, that seemed as if it had dropped from heaven, it was so pretty; and the porter's son danced before it in the courtyard, as soon as it could understand it, and gave her all his colored pictures, and little Emily looked at them, and was pleased, and tore them to pieces. She was pretty and delicate indeed.

"My little Roseleaf!" cried the General's lady, "thou art born to wed a prince."

The prince was already at the door, but they knew nothing of it; people don't see far beyond the threshold.

"The day before yesterday our boy divided his bread and butter with her!" said the porter's wife. There was neither cheese nor meat upon it, but she liked it as well as if it had been roast beef. There would have been a fine noise if the General and his wife had seen the feast, but they did not see it.

George had divided his bread and butter with little Emily, and he would have divided his heart with her, if it would have pleased her. He was a good boy, brisk and clever, and he went to the night school in the Academy now, to learn to draw properly. Little Emily was getting on with her education too, for she spoke French with her "bonne," and had a dancing master.

"George will be confirmed at Easter," said the porter's wife; for George had got so far as this.

"It would be the best thing, now, to make an apprentice of him," said his father. "It must be to some good calling—and then he would be out of the house."

"He would have to sleep out of the house," said George's mother. "It is not easy to find a master who has room for him at night, and we shall have to provide him with clothes too. The little bit of eating that he wants can be managed for him, for he's quite happy with a few boiled potatoes; and he gets taught for nothing. Let the boy go his own way. You will say that he will be our joy some day, and the Professor says so too."

The confirmation suit was ready. The mother had worked it herself; but the tailor who did repairs had cut them out, and a capital cutter-out he was.

"If he had had a better position, and been able to keep a workshop and journeymen," the porter's wife said, "he might have been a court tailor."

The clothes were ready, and the candidate for confirmation was ready. On his confirmation day, George received a great pinchbeck watch from his godfather, the old iron monger's shopman, the richest of his godfathers. The watch was an old and tried servant. It always went too fast, but that is better than to be lagging behind. That was a costly present. And from the General's apartment there arrived a hymn-book bound in morocco, sent by the little lady to whom George had given pictures. At the beginning of the book his name was written, and her name, as "his gracious patroness." These words had been written at the dictation of the General's lady, and the General had read the inscription, and pronounced it "Charming!"

"That is really a great attention from a family of such position," said the porter's wife; and George was sent up stairs to show himself in his confirmation clothes, with the hymn-book in his hand.

The General's lady was sitting very much wrapped up, and had the bad headache she always had when time hung heavy upon her hands. She looked at George very pleasantly, and wished him all prosperity, and that he might never have her headache. The General was walking about in his dressing-gown. He had a cap with a long tassel on his head, and Russian boots with red tops on his feet. He walked three times up and down the room, absorbed in his own thoughts and recollections, and then stopped and said:

"So little George is a confirmed Christian now. Be a good man, and honor those in authority over you. Some day, when you are an old man, you can say that the General gave you this precept."

That was a longer speech than the General was accustomed to make, and then he went back to his ruminations, and looked very aristocratic. But of all that George heard and saw up there, little Miss Emily remained most clear in his thoughts. How graceful she was, how gentle, and fluttering, and pretty she looked. If she were to be drawn, it ought to be on a soap-bubble. About her dress, about her yellow curled hair, there was a fragrance as of a fresh-blown rose; and to think that he had once divided his bread and butter with her, and that she had eaten it with enormous appetite, and nodded to him at every second mouthful! Did she remember anything about it? Yes, certainly, for she had given him the beautiful hymn-book in remembrance of this; and when the first new moon in the first new year after this event came round, he took a piece of bread, a penny, and his hymn-book, and went out into the open air, and opened the book to see what psalm he should turn up. It was a psalm of praise and thanksgiving. Then he opened the book again to see what would turn up for little Emily. He took great pains not to open the book in the place where the funeral hymns were, and yet he got one that referred to the grave and death. But then he thought this was not a thing in which one must believe; for all that he was startled when soon afterwards the pretty little girl had to lie in bed, and the doctor's carriage stopped at the gate every day.

"They will not keep her with them," said the porter's wife. "The good God knows whom He will summon to Himself."

But they kept her after all; and George drew pictures and sent them to her. He drew the Czar's palace; the old Kremlin at Moscow, just as it stood, with towers and cupolas; and these cupolas looked like gigantic green and gold cucumbers, at least in George's drawing. Little Emily was highly pleased, and consequently, when a week had elapsed, George sent her a few more pictures, all with buildings in them; for, you see, she could imagine all sorts of things inside the windows and doors.

He drew a Chinese house, with bells hanging from every one of sixteen stories. He drew two Grecian temples with slender marble pillars, and with steps all round them. He drew a Norwegian church. It was easy to see that this church had been built entirely of wood, hewn out and wonderfully put together; every story looked as if it had rockers, like a cradle. But the most beautiful of all was the castle, drawn on one of the leaves, and which he called "Emily's Castle." This was the kind of place in which she must live. That is what George had thought, and consequently he had put into this building whatever he thought most beautiful in all the others. It had carved wood-work, like the Norwegian church; marble pillars, like the Grecian temple; bells in every story; and was crowned with cupolas, green and gilded, like those of the Kremlin of the Czar. It was a real child's castle, and under every window was written what the hall or the room inside was intended to be; for instance: "Here Emily sleeps;" "Here Emily dances;" "Here Emily plays at receiving visitors." It was a real pleasure to look at the castle, and right well was the castle looked at accordingly.

"Charming!" said the General.

But the old Count—for there was an old Count there, who was still grander than the General, and had a castle of his own—said nothing at all; he heard that it had been designed and drawn by the porter's little son. Not that he was so very little, either, for he had already been confirmed. The old Count looked at the pictures, and had his own thoughts as he did so.

One day, when it was very gloomy, gray, wet weather, the brightest of days dawned for George; for the Professor at the Academy called him into his room.

"Listen to me, my friend," said the Professor; "I want to speak to you. The Lord has been good to you in giving you abilities, and He has also been good in placing you among kind people. The old Count at the corner yonder has been speaking to me about you. I have also seen your sketches; but we will not say any more about those, for there is a good deal to correct in them. But from this time forward you may come twice a-week to my drawing-class, and then you will soon learn how to do them better. I think there's more of the architect than of the painter in you. You will have time to think that over; but go across to the old Count this very day, and thank God for having sent you such a friend."

It was a great house—the house of the old Count at the corner. Round the windows elephants and dromedaries were carved, all from the old times; but the old Count loved the new time best, and what it brought, whether it came from the first floor, or from the cellar, or from the attic.

"I think," said, the porter's wife, "the grander people are, the fewer airs do they give themselves. How kind and straightforward the old count is! and he talks exactly like you and me. Now, the General and his lady can't do that. And George was fairly wild with delight yesterday at the good reception he met with at the Count's, and so am I to-day, after speaking to the great man. Wasn't it a good thing that we didn't bind George apprentice to a handicraftsman? for he has abilities of his own."

"But they must be helped on by others," said the father.

"That help he has got now," rejoined the mother; "for the Count spoke out quite clearly and distinctly."

"But I fancy it began with the General," said the father, "and we must thank them too."

"Let us do so with all my heart," cried the mother, "though I fancy we have not much to thank them for. I will thank the good God; and I will thank Him, too, for letting little Emily get well."

Emily was getting on bravely, and George got on bravely too. In the course of the year he won the little silver prize medal of the Academy, and afterwards he gained the great one too.

"It would have been better, after all, if he had been apprenticed to a handicraftsman," said the porter's wife, weeping; "for then we could have kept him with us. What is he to do in Rome? I shall never get a sight of him again, not even if he comes back; but that he won't do, the dear boy."

"It is fortune and fame for him," said the father.

"Yes, thank you, my friend," said the mother; "you are saying what you do not mean. You are just as sorrowful as I am."

And it was all true about the sorrow and the journey. But everybody said it was a great piece of good fortune for the young fellow. And he had to take leave, and of the General too. The General's lady did not show herself, for she had her bad headache. On this occasion the General told his only anecdote, about what he had said to the Prince, and how the Prince had said to him, "You are incomparable." And he held out a languid hand to George.

Emily gave George her hand too, and looked almost sorry; and George was the most sorry of all.

Time goes by when one has something to do; and it goes by, too, when one has nothing to do. The time is equally long, but not equally useful. It was useful to George, and did not seem long at all, except when he happened to be thinking of his home. How might the good folks be getting on, up stairs and down stairs? Yes, there was writing about that, and many things can be put into a letter—bright sunshine and dark, heavy days. Both of these were in the letter which brought the news that his father was dead, and that his mother was alone now. She wrote that Emily had come down to see her, and had been to her like an angel of comfort; and concerning herself, she added that she had been allowed to keep her situation as porteress.

The General's lady kept a diary, and in this diary was recorded every ball she attended and every visit she received. The diary was illustrated by the insertion of the visiting cards of the diplomatic circle and of the most noble families; and the General's lady was proud of it. The diary kept growing through a long time, and amid many severe headaches, and through a long course of half-nights, that is to say, of court balls. Emily had now been to a court ball for the first time. Her mother had worn a bright red dress, with black lace, in the Spanish style; the daughter had been attired in white, fair and delicate; green silk ribbons fluttered like flag-leaves among her yellow locks, and on her head she wore a wreath of water-lillies. Her eyes were so blue and clear, her mouth was so delicate and red, she looked like a little water spirit, as beautiful as such a spirit can be imagined. The Princes danced with her, one after another of course; and the General's lady had not a headache for a week afterwards.

But the first ball was not the last, and Emily could not stand it; it was a good thing, therefore, that summer brought with it rest, and exercise in the open air. The family had been invited by the old Count to visit him at him castle. That was a castle with a garden which was worth seeing. Part of this garden was laid out quite in the style of the old days, with stiff green hedges; you walked as if between green walls with peep-holes in them. Box trees and yew trees stood there trimmed into the form of stars and pyramids, and water sprang from fountains in large grottoes lined with shells. All around stood figures of the most beautiful stone—that could be seen in their clothes as well as in their faces; every flower-bed had a different shape, and represented a fish, or a coat of arms, or a monogram. That was the French part of the garden; and from this part the visitor came into what appeared like the green, fresh forest, where the trees might grow as they chose, and accordingly they were great and glorious. The grass was green, and beautiful to walk on, and it was regularly cut, and rolled, and swept, and tended. That was the English part of the garden.